Why some bass players never succeed
Jul 27, · Steps 1. You want to be good at your instrument! A bad bassist is the kind other band members will hold in contempt, but an 2. Know where you fit in the band. Realize that the bass is not usually a lead instrument and embrace the fact! 3. Learn to play secondary instruments like keyboards, 86%(68). Jun 26, · Lock in with the drummer In a rhythm section, part of the bass guitar’s role is to function as a liaison between the drums and the rest of the band. In most cases you want to make the bass and drums sound like one entity, and a great way to do this is to craft bass lines that fit like a glove with the drummer’s kick and snare usadatingescort.com: Matt Scharfglass.
Learning bass guitar? The answer is obvious in some ways, how to host your own web site a little bit more nuanced in others. Knowing your time is another point. One of the central pillars when it comes to learning to play bass guitar is the concept of musical time.
Time or tempo being able to move and flex with the natural changes in time is essential. Being able to compose a groove based on what is going on musically around you is the very essence of bass playing. Guitar players and keyboard players have the luxury of setting the musical pace. These are the instruments most commonly associated with creating the hooks and the melodies to songs and even the harmonies most of the time as well. Bass purists scoff at guitar players for their lack of finesse and taste when playing, often defaulting to flying off the musical rails and doing their own thing.
Most guitar players understand like all other musicians in a group the importance of being balanced, tasteful and complimentary to the overall sound and not exceeding ones musical boundaries unless permitted. When it comes to making a suitable bass line for a piece of music, there are a lot of ways to satisfy the need. One way is just to pedal eighth notes and move with the chord changes.
Another is to be very counterpoint minded and work against the melody while still keeping in time and being cognizant of the chord changes as they unfold. These are two extremes, but they both fill the need for a bass line. Tastefulness when making a bass lines something that comes with time. Like taste, being able to discern and craft tone comes with time.
Often times young bass players get too caught up with how their bass sounds versus how they ought to actually be playing. I believe tone is one of two pillars for how we identify certain bass players. The other pillar being playing style. Tone tells you a lot as a listener. It takes years, to identify tones and to know how to change and morph your tone into one that a.
Knowing how to adjust accordingly is a key for bass players to know. Learning something new is a challenge. Often times, its not what is being learned but the act of actually staying committed to the learning process that is most challenging. Whether bass guitar, cooking, or computer programming, being patient and consistent with the learning process are two of the biggest challenges that have turned young musicians off from learning an instrument and have frustrated adults.
I what is the national do not call registry that patience is discussed more in the context of learning bass guitar or any acquired skill than consistency. From a young age or from the start of any learning journey, teachers encourage students to be patient with the learning and to not expect to become the next Mozart overnight.
Students need to become accepting and tolerant of the stumbling blocks they encounter and power through them in their own way. Consistency, or lack of in my opinion, is what turns off more students than anything else. When we are in the progcess of learning something new it can go one of two ways. All that energy that was supposed to be spread out and saved over time got used up within the first week.
When developing a practice regimen or any kind of system that you developed with the sole purpose of getting better at a skill must be sustainable. To be sustainable means it must be consistent. Whether day to day or week to week, whatever choice you make when it comes to practice must be one that you know you can do on a schedule. Bass players that say that they practiced for 9 hours every day for 10 years are exceptions to the rule or were in circumstances that allowed and encouraged that kind of motivation.
But for others an hour a night at 6 pm after dinner is the right amount, completely sustainable and completely manageable. This point applies less to bass specifically and more to any musical endeavor you the reader how to be a great bass player to embark on. But none the less, in order to be a good bass player, knowing your physical and mental limits is essential and based on what your understanding is creating a system of practice and skill development that suits you individually is a giant key to success that many people overlook.
Seasoned teachers might say that the 3 cores of bass playing are time, tone and taste. I believe there is a 4th: timing, the cousin of time. The best comparison I can make to illustrate this point is to think of a comedian. Comedians require two big things what nutrients does onion contain order to have a successful show: momentum and audience engagement.
Momentum referring to the energy built up as a set goes to tell more adventurous jokes, deliver jokes in their truest form and to ultimately build on whatever engagement the audience has given you. These two points go hand in hand; one feeds the other and vice versa. Playing music is not much different. After all, they may have paid money to see you.
To the point about punchlines, bass lines and music as a joke with a punch line. Usually at the end of a 4, 8, 12 or 16 bar phrase there is the turn around, the place where the musical idea repeats itself. Love the new re-design? Hate the new re-design? Got some general questions about bass guitar? Shoot me a line at mike smartbassguitar. Time One of the central pillars when it comes to learning to play bass guitar is the concept of musical time.
Taste Guitar players and keyboard players have the luxury of setting the musical pace. Bass is no different. Timing Seasoned teachers might say that the 3 cores of bass playing are time, tone and taste.
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May 21, · That, more than anything, is the true secret to being a good bass player, possibly even a great one. Rule #13) Have fun, and show your audience that you’re having fun: I close this column with a picture, and of course a personal anecdote. Devise parts other than what’s on the record that still fit and benefit the song. This is what takes you from regular bass player to really good bass player: improvisation. Soloing is not the only way musicians improvise. Figured bass in Baroque music requires the continuo player to improvise a .
In this post I would like to point out 10 most common false guidelines in the very beginning of learning and practicing bass guitar.
They choose hard and virtuosic examples from the very beginning. Then they rehearse them for days, months and years and try to prove themselves with just a few examples. This is why we should begin with initial and basic exercises and upgrade them later on. Also do not to practice just a few examples for a very long time. Instead, it is advisable to change them and let them mature.
They often learn examples by heart and those are that few, although enviable, examples of funk! In music you need to take your time and space. Music has to sound right. It goes the same for bass lines and solos.
Even three notes can have a good sound. Though there are a few, the majority of success is based on persistent and hard work. Those without the systematic and progressive learning are just the ones that end up in a one way street without ideas. They take the whole education into their own hands and are certain they master the subject.
Autonomy is a good and desirable trait, but everyone needs a role model and correct guidance in their development. Even the best musicians rehearse systematically and gradually. They reach their virtuosity gradually and with slow steps. Invest in your knowledge first, you can add effects and special equipement later on. Prerequisite for success is a quality school, correct teaching methods and regular correct exercises! Before they even get to know everything regarding the bass guitar, they concentrate on the effects and various devices and expect exceptional results.
The basic sound of funk-slap is reached without additional apparatus and effects. Such are mp3 examples from my workbook , they are recorded exactly in that manner — without colouration and effects.
It could take a decade before a musician really starts to hear the sounds. Practicing certain techniques can take as much as a year or two! We build our musical personality our whole lives. There are never too many ideas. It is always possible to upgrade your technical and harmonical knowledge. There is nothing wrong with that, but listening to different genres opens up horizons, broadens knowledge and gives us new ideas.
All ideas and concepts cannot always be just our own — we need role models. But we have to make an effort to interpret the ideas our way and develop our own style. We have to learn to listen to music and focus only on the bass, drums, or even other instruments and details. Therefore I do not support competitions between musicians, just creativity. Here is the deal! You can always improve your playing skills, but it is crucial that you also practice correctly and use quality resources.
So, what is your experience and how are you becoming a better musician? Feel free to drop a comment! Thanks for the tips. Although with 4, I seriously can not afford lessons. Do you think this will really be a big problem with my learning? Shure this can be a big problem, you need metodical and well defined practice so you will not loose time and will be able to learn properly. This is exactly why I created my ebook , to help students such as yourself.
Please i want you to teach me how to play a bass guitar,i dont have anyone to teach me in my place but i believe that you will help me. I wondered at times did i learn to correctly apply the scales or modes in the right way because i find myself struggling to play certain songs even though people say it sounds good, but my fingers are always struggling to stay in place with time.
As for funk slap playing i can do a little but once again i struggle to stay in place especially with open string playing. Hey there! It is a good thing when musician draws information from variety of available sources. You will need a lot of self reflection and practice, practice, practice! At the beginning mentoring is also very important, because a good mentor properly directs the educational process.
It is necesary to always start with light exercises and short examples and when these are mastered continue to more complex ones. This is a method I also use in my ebook. In your case consider correct posture of hands, both right and left hand and fingering. I really suggest visiting a good teacher — mentor. When I first started, all I wanted to do was get better! It seems that with time, smoothness comes, along with learning. What would you suggest doing mentally to improve my playing?
Hi Alex, I am not shure what exactly do you mean by mentaly preparing, so please check some of other answers in the comment section around the posts, since I have already answered people with similar questions. Try also connecting with other musicians and play with them. This way you will learn new things faster, than only playing by yourself. Mileage will also add more mental preparedness to you.
I started playing the bass a month ago, together with my friend, who also plays guitar and piano. Can you somehow advice me to improve? The hardest things for me, are the rhytmic stuff and also making my own basslines. Hello Suzanne, thank you for your comment.
You say you only play bass for a month, which is still very fresh, so continue and improvement will come with time, guaranteed! I also congratulate you on choosing to play bass guitar. To find answers on your questions, please check this site and read other comments and posts, I believe you will find all the answers you need.
I wish you much success in your playing! Damn right — so many starters want to be playing complex riffs on a bass guitar they have owned for a week and played for three days. Got to get back to the basics and build.
But i am now worried about my hearing. I want to know when I will be able to find a key to a song and also to identify the progression to the a song?
When practicing you should have different practices for every style you play. Usually bass guitarists only choose a narrow type of playing. Same holds true for other instruments, not just bass guitar. My advice is simple, do not expect big successes right from the start, though bass guitar is a relatively quick to learn instrument.
I recommend you and all the players, if you really want to understand music, hire a teacher from the start. Do you have any methods or techniques you can share with me? Hi Joel, thank you for your comment. I have allready adressed this topic in previous comments and topics on this site, so do check them out. My e-book can also help you develop a better playing technique this is why I have written it for as well as give you some ideas to what can be done on bass.
I wish you much success! I wonder why the other specialists of this sector do not understand this. Sir,I am almost 66 yrs old. I bought a Tanglewood 4 string bass 18 months ago…. My big problem is the tendons on my right hand…I. Many thanks in advance. Hi there Larry, thanks for your comment. Sorry I cannot help you with that, it would be best to counsult that with your doctor, I do not want to give you wrong advice here. If the pain is too great, it is probably better to reduce or give up the practice, or maybe you try out some other instrument.
Best regards. Ladislav, Helpful information — thanks. I treated myself to a Fender Modern Player 5 string jazz bass, which I love.
I live in a flat where I have to practice into headphones, I am sure this is psychologically limiting? As a result I really only use a pick.
I would love to use my fingers, but my skin is too soft, do I need to toughen them up for plucking the strings, or can I try turning the gain up so I can pluck softer? Pls, i need ur help. Pls ur advice. Hi i was wondering about ear training for the bass what shound i do. Site singing exercises or should i us some software for ear training, can i just hum the note as i play them.